Carmel Valley in "Cannery Row"
“In Carmel Valley the artichoke plants stood gray green, and the willows were lush along the river...The Carmel is a lovely little river. It isn’t very long but in its course it has everything a river should have. It rises in the mountains, and tumbles down a while, runs through shallows, is dammed to make a lake, spils over the dam, crackles amond round boulders, wanders lazily under sycamores, spills into pools where trout live, drops in against banks where crayfish live. In the winter it becomes a torrent, a mean little fierce river, and in the summer it is a place for children to wade in and for fishermen to wander in. Frogs blink from its banks and the deep ferns grow beside it....” (CR 75)
The frog pool was square — fifty feet wide and seventy feet long and four feet deep. Lush soft grass grew about its edge and a little ditch brought the water from the river to it and from it little ditches went out to the orchards. There were frogs there all right, thousands of them. Their voices beat the night, they boomed and barked and croaked and rattled. They sang to the stars, to the waning moon, to the waving grasses. They bellowed love songs and challenges. The men crept through the darkness toward the pool. The captain carried a nearly filled pitcher of whiskey and every man had his own glass. The captain had found them flashlights that worked. Hughie and Jones carried gunny sacks. As they drew quietly near, the frogs heard them coming. The night had been roaring with frog song and then suddenly it was silent. Mack and the boys and the captain sat down on the ground to have one last short one and to map their campaign. And the plan was bold.
During the millennia that frogs and men have lived in the same world, it is probable that men have hunted frogs. And during that time a pattern of hunt and parry has developed. The man with net or bow or lance or gun creeps noiselessly, as he thinks, toward the frog. The pattern requires that the frog sit still, sit very still and wait. The rules of the game require the frog to wait until the final flicker of a second, when the net is descending, when the lance is in the air, when the finger squeezes the trigger, then the frog jumps, plops into the water, swims to the bottom and waits until the man goes away.
That is the way it is done, the way it has always been done. Frogs have every right to expect it will always be done that way. Now and then the net is too quick, the lance pierces, the gun flicks and the frog is gone, but it is all fair and in the framework. Frogs don’t resent that. But how could they have anticipated Mack’s new method? How could they have foreseen the horror that followed? The sudden flashing of lights, the shouting and squealing of men, the rush of feet.
Every frog leaped, plopped into the pool, and swam frantically to the bottom. Then into the pool plunged the line of men, stamping, churning, moving in a crazy line up the pool, flinging their feet about. Hysterically the frogs displaced from their placid spots swam ahead of the crazy thrashing feet and the feet came on. Frogs are good swimmers but they haven’t much endurance. Down the pool they went until finally they were bunched and crowded against the end. And the feet and wildly plunging bodies followed them. A few frogs lost their heads and floundered among the feet and got through and these were saved.
But the majority decided to leave this pool forever, to find a new home in a new country where this kind of thing didn’t happen. A wave of frantic, frustrated frogs, big ones, little ones, brown ones, green ones, men frogs and women frogs, a wave of them broke over the bank, crawled, leaped, scrambled. They clambered up the grass, they clutched at each other, little ones rode on big ones. And then–horror on horror–the flashlights found them. (CR 92-94)